Collections
Shop for artwork based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Artwork
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.

Maritime Museum and Storm Clouds by Robert Potts

Cottonwood Driftwood by Robert Potts

Tillamook Head and Surf by Robert Potts

Surf Blast by Robert Potts

Wave Impact by Robert Potts

Riverwalk Reflection by Robert Potts

Sea Palms and Mussels by Robert Potts

Riverfront Rubble by Robert Potts

Two Geese by Robert Potts

Frosty Leaves by Robert Potts

Fallen Leaves and Frost by Robert Potts

Mallards and Pilings by Robert Potts

Spruce and Fern Forest by Robert Potts

Shore of Seaside Cove by Robert Potts

Violent Surf by Robert Potts

Rocky Shoreline by Robert Potts

Razor Clam Shell by Robert Potts

Foraging Sanderlings by Robert Potts

Sanderlings on Sand by Robert Potts

Lighthouse at Yaquina Head by Robert Potts

Gull With Purple Sea Urchin by Robert Potts

Proposal Rock Neskowin Reflection by Robert Potts

Yaquina Head Lighthouse by Robert Potts

Ghost Forest at Proposal Rock by Robert Potts
Displaying: 1 - 24 of 2419
About Robert Potts
What do you want to know about me? I purchased my first camera in 1978 because I was interested in birds. I gradually broadened my horizons. I worked as a seasonal Wildlands fire fighter and park ranger. I worked on various public lands from Everglades National Park in Florida to Olympic National Park in Washington.
I am not sure yet how all of this works, but I assume you can ask me questions through the contact feature.
So, what do you want to know?
Equipment:
I am currently using full frame digital cameras. I usually carry a tripod. I gravitate more toward primes than zoom lenses. I have a full arsenal of macro lenses. The 200 mm is my favorite. Some of the older images I have up-loaded are scans from medium format film, mostly Fujichrome Velvia 50.
Technique:
I favor large, high-quality RAW files and good light.